Ghost Ship

A memorial action on behalf of the people caught up in the Ghost Ship fire.

As individuals, we’re diversely near and far from the events; as a solidarity of artists we are in a place to offer and open witness and contemplation.

The space of mourning is hot and varied; we offer witness in a way that makes space more than usurps it. A experience that took place December 2, 2028, the day of the anniversary. Near the site, but not at it, leaving space there for spontaneous and multiple expressions, making room close by for a quiet and focused circumstance for reflection and sharing.

Short texts, guided by shared prompts, performed in an environmental way (in loop, with space before and after for both silence and conversation).

How can we, as an artistic community, ache and offer healing? Community being a movement, an energy towards change; community = communication, like communicating tunnels, opening ways forward and together.

CONTRIBUTORS

Mallery Avidon

Kate Bergstrom

Jon Benson

Erin Bregman

Rick Burkhart

Victor Cazares

James Celenza

Patricia Cotter

Connie Crawford

Maura Donohue

Erik Ehn

Brit Frasier

Elizabeth Gjelten

Michaela Goldhaber

Jess Goldschmidt

Theo Goodell

Groenveld

Deepali Gupta

Susan Jackson

Min Kahng

Casey Llewellyn

Karen Macklin

Ian McDonald

Nick MwalukoEli Nixon

Suki O’Kane

matthew paul olmos

Lily Padilla

Evelyn Jean Pine

Max Posner

Geetha Reddy

Nathaniel Sam Shapiro

Carl Sirah

Jonathan Spector

Elizabeth Spreen

Melisa Tien

Tenderloin Opera Company

Brian Thorstenson

Alice Tuan

Katie Ka Vang

Aaron Vigil

Torange Yeghiazarian

Ellen Zahniser


Mallery Avidon/Michela Gregory

She played soccer in high school and got straight A’s
She was the first in her family to go to college and worked hard all her days,

She was 20

She loved EDM and Animals and Alex Vega, they died wrapped in each other’s arms They were soul mates, it wasn’t a phase, She was 20.

There is a Mural in The Mission now memorializing them How long will it take gentrification to erase? She was 20

“She carried her heart on her shoulder” her mother says, “She was against cruelty toward anybody, against bullying anybody, she was the kind of person we need in this world, the paper quotes her father’s praise, she was 20

They worked at a mortuary, Alex Vega and Michela Angelina Gregory Helping Families thru losses in practical ways, She was 20.


Erin Bregman/Hanna Ruax

I speak your name out loud, your face unknown imagining its sound finding you in a space unknown. Come. Wait with us, stand here for a minute
With Hanna Roux who listens from a place unknown.


Rick Burkhart/Chelsea Dolan

crack. click. track. music swelling splits open cherub she flies, crashes, flies again, sits, open

in used bookstore in chelsea, newsprint clippings fade crossfade to blogs, post clicks open

pound on vast olden door — thick, thick oak through which ghost voice floats, calling: “it's open”


Victor Cazares/Sara Hoda

for thirty seconds, the performer builds an altar, sets a table. Gentle, slow.

Inviting you to our altar was presumptuous.
I know we are strangers at this table.
I don’t know what you eat. I’ve simply made extra: pintos, sand, and a yearning for the rain.
In each other. Off each other. We, Sara Hoda.


Patricia Cotter/Nicholas Walrath

In a space between philosophy and physics lives the riddle of creation. Loveliness can’t fade - a mystery of creation.
“Fire, I love you,” a sweet, brutal goodbye.
Nicholas Day Walrath a bright and glorious creation.


Maura Donohue/Donna Kellogg

With a crash up on a drum, she was a whole, a sum, a power among, Donna

And to care for this world, she fed and shed
a light, sewed and sowed seamless loves upon, Donna


Erik Ehn/Cash Askew

Wait for other shoe. Surge of love – Twenty two much Whistle red, Calgary blue. Eu-

Daimonia. Them Are Us Too

Enigma touch. Cash Askew. Sea spun rpm then – Wait; false moon. Fall for Them Are Us Too


Elizabeth Gjelten/Johnny Igaz (aka Nackt)

A hundred times I’ve wanted to leap, not live
This ridiculous weakness, to crave death yet love life.

Embrace darkness yet spread light. They sleep, we live.

Ich bin Nackt, Johnny sayz, you weep, I live.


Michaela Goldhaber/Jonathan Bernbaum

Whirling images climb the walls, While music pulses beat beat beat.

Jonathan makes dancing more fun. Everybody move your feet feet feet!

Electronica’s Elite count him in,
Music Makers and Booty Shakers want Bernbaum for the win!

Expanding hearts and blowing minds is Jonathan Bernbaum’s way “Let’s rock!” he cries, High fives all around, “Let’s dance until it’s day.”


Jess Goldschmidt/Alex Ghassan

He wanted to leave America, his home truth, smashed by men who claim they own truth.

He hoped anyway, lived in sight of dreams, believed in life lived brave in love, his known truth.

Frying fish cakes, spitting oil and sense
fingers twined, delight, that right down to the bone truth.

When we speak you, Alex Ghassan, your name, calls all it thrived upon, from root a grown truth.


Groenveld/Barrett Clark

Bottom of the hill, electronica adjacent, but more dark A son, a boyfriend, musician, this was Barrett Clark

He cared about helping other artists make their mark Supported the things he loved, this was Barrett Clark


Deepali Gupta/Vanessa Plotkin

He says to the news we called her messi-Ness your Ness-ness sweet-Ness smart-Ness super-Ness I think about brown-ness

I’m looking at her profile picture wanting to compliment her perfect brows Vanessa I love your outfit
gone-ness


Susan Jackson/Joey Casio

Among the last identified, music lifer in the blood, his-- Turns snobby nightclub to lovefest with songs; paid toll, his.

Thirty-six in age and space, thirty-six lost, can't console, time, his-- Open mind and open hearted; there, stayed
soul, his

Olympia, Portland, Oakland, calling, bereaved, in pain, face, his-- Creator, remind us as witnesses, made
hole, his.

Joey Casio, Joseph Matlock, Obsidian Blade, name, his-- Penned in recognition he wouldn't seek, laid
whole, his.


Min Kahng/Denalda Nicole Renae

Digital traces save a record of a maker’s tone
for listeners to absorb the pulse of a soundshape

Even beyond form, Denalda Nicole Renae, your handiwork insists upon your beats per minute, your hertz, your soundshape


Casey Llewellyn/Micah Danemayer

A loop never closed never fully open everything Discarded Love song of to a mutant family

everything Discarded
lo-fi caress slime wave church curate love

everything Discarded
light pouring from your throat Micah Danemayer

everything Discarded


Eli Nixon/Jennifer Kiyomi Tanouye

Emblazon our cuticles with your vision- temporary, portable, joys. Gentle blaze, vibrant noise.
Your song in our fingers.

Shazam. A kindness. A good Samaritan.
I run by the bay with your frisky Pomeranian. A longing, your fingers.

Inside our ears. Awake with your skeleton.
We dance with your ghost, wavering like gelatin. Hold onto our fingers.

We water your plants. Light comes through the leaves. Your shadow weaves when we breathe.
Unfolding new fingers.

Jennifer Kiyomi Tanouye


Lily Padilla/Em Bohlka

Can I call you on a string?
Listen into infinite dimensions, hear you speaking to me
Telephone game: tin can, string wire, wide smile.
We’ll stack stones to the sun
I can hear you, call again.
Your teeth are radiant, do you hear me?
You help me split, strand, stand. on the playground or in the kitchen or on the moon We are always breaking bread, human cosmonaut.
holy communion, drinking in all that you are Em B. All that you are and reveal to me.


Max Posner/Benjamin Runnels

Heaven is passing the years waiting to be you
Inertia takes decades, perfection the second I see you

Benjamin Runnels’ legendary band was named Introflirt. Melodies empty head trapped in this bed dying to free you


Nathaniel Sam Shapiro/Brandon Chase Wittenauer Chavarría

I had a dream
Once
Of the person I could be.

Brandon Chase Wittenauer Chavarría.

But
I couldn’t have requested
A better existence.
Brandon Chase Wittenauer Chavarría.

I know the sound in your voice when you asked me to stay I could still feel you out here with me
But infinity’s far away.
Brandon Chase Wittenauer Chavarría.

Please
Remember me forever.
Please remember my heart.
Brandon Chase Wittenauer Chavarría.

You are
Amazing, Radiant, and Incredible. Don’t forget it.
Brandon Chase Wittenauer Chavarría.

How boring of a ghost would you have to be

To stay on the earth

And haunt people?

Brandon Chase Wittenauer Chavarría.

[Brandon Chase Wittenauer Chavarría was an artist. Performing under the name Nex Iuguolo in the group Symbiotix.Fungi, his music was operatic, of an epic scale, and steeped in Sci-Fi. Brandon looked to the stars for inspiration, and knew that mankind, if not he himself, would someday leave this planet to find home and salvation beyond. He was a thinker who cared deeply about the world and politics. Brandon left two things behind: art and loved ones who miss him. Given his profound creativity, I decided to use his own words and music to create this tribute to him. If there is one aspect of Brandon that jumped out to me, it is his search and adoration for the truth. Truth, personal and collective, is the reason why his characters in his songs went to space. Beyond an interest in Sci-Fi, I think that Brandon knew truth required some kind of elevation, some kind of transcendence (literal and metaphorical). I greatly admire this, both generally and in a historical moment where truth is up for grabs. Whether through his chord progressions, lyrics, or political social media musings, I hope Brandon would find truth in what I’ve written, and feel the respect I have for him and what he stood for. “How boring of a ghost would you have to be to stay on earth and haunt people,” Brandon once mused. I know what he means. Without a doubt, Brandon’s ghost is in space.]

Brian Thorstenson/Jo

How to start to grasp the gaps left by by one night time.

Unclasp? Collapse? Ripple reflect in water time?

Rock, paper, and scissor me across the dance floor

Ara Jo, tonight I need your five buck trim time.

Alice Tuan/Jennifer Morris

Oxygen, more

gentle, morbid—she radiates, inhales
IT needs, IT feeds: oxygen, MORES!

More is dot dot dot. . .music towards newer gen lores

Called back early, she was--
the bright ones are, her air rings

sing out Jennifer Morris

Katie Ka Vang/Griffin Madden

Shedding light in darkness/community’s heart broken.
Your passion for music swells/ memories from book of mormon as token.

You studied Philosophy and Slavic languages and Literature/ life stopped and stolen. Beloved staff member/jazz, chorale, classical, world music – prayers rock and rollin.

One of thirty six/lost in eyes but not in mind (and spirit) Hearts blown over cries – cries lapsed time.





Torange Yeghiazarian/Barrett Clark

Bodies glow in the orange night, too free perhaps, Spirits dance as they take flight, figures collapse.
A thousand pieces of my heart ask: Who? What? Why? Silence beckons: Barrett Clark was here only by chance.


Mallery Avidon/Michela Angelina Gregory

Kindness is Magic
Even inside all this tragic

I believe in love
I believe in dancing Lets dance
Lets dance

For Love Lets Dance

For Magic
If we dance hard enough

Maybe we can fix all this Tragic

Do Better
Be Better
Love Harder
Dance Faster
I Believe in Love
I Believe in Dancing
I Believe we can keep going if we just love harder

and be better and dance faster

Kindness is Magic
Even inside what feels like all this endless Tragic Dance Faster Do Better Be Better Love Harder


Erin Bregman/Hanna Ruax

(Instrumental)


Victor Cazares/Sara Hoda

when you get there
don’t forget to get me— mom’s piano’s missing key the chord struck, stuck on you

when you get there
don’t forget to find me—
a starchild’s rootless tree
the searching is the finding is the home

when you get there
don’t forget to tell me
that you got there all free
safe in these chords struck by you, you, you.


Patricia Cotter/Nicholas Walrath

We were here.

And we were wide awake. Awake. A part. Alive.

I was here.
And I was wide awake. Awake. A part. A life.

We were here. We were here. We were here.


Maura Donohue/Donna Kellogg

And there was once upon this plane, a beauty, a power, a name, Donna

And in this world, she fed and shed
a light, with care, some bread, Donna

And in this way, she grew and drew through song so strong, such brawn, Donna

And, what is lost, where our healer goes, when the shift, the wind, the fire blows

Against this void, this loss, this wrong we find ourselves alone, along...

a gift, a girl, a gatherer, reclaim the world manufacturer

Feeding others with love
Bright blue bike, Red Hair flash, Rise Above

such skill, such lux, such attire Donna Don’t tire, Donna
We’ll see you higher, Donna
We’ll see you higher, Donna


Brit Frasier/Peter Wadsworth

(see Ed Sheeran, Wayfaring Stranger, Youtube)
Singing: Just a poor wayfaring stranger. Traveling through this world of woe. But there not

sickness, toil nor sorrow in that bright world to which I go.

We remember you in poem We sing of you in song Breath of my breath
Your Spirit carries on

Fires surround Smoke all around Spirits freed of body Freed of burning Freed of yearning Alive in memory Road tripping Home.

Not for nothing
Honing hope
Our humanity won’t Ghost Like that ship
Sailed you out to sea
We sold you false security We had already
Sold our souls for money I’m sorry

So
We remember you in poem We sing of you in song Breath of my breath
Your Spirit carries on

Singing: Just a poor wayfaring stranger. Traveling through this world of woe. But there not sickness, toil nor sorrow in that bright world to which I go.


Michaela Goldhaber/Jonathan Bernbaum

(Based on a traditional Yiddish tune Chiribim Chiribom)

Chiribim chiribom chiribim bom Bim bom Bim bom Chiribim chiribom chiribim bom Bim bom Bernbaum Bom Chiri biri biri biri Bernbaum bom
Bom Chiri biri biri biri Bernbaum bom

Chiribim chiribom Chiri Bernbaum Bernbaum Bernbaum

The rabbi said, Hey Jonathan, so you’re going to go to film school? “Become a big macher in Hollywood, well listen to this old fool,
The Suits will try to change your style, watch out you’ll be a wreck, But keep your natural chutzpah, and you’ll make fine work not dreck.

Chiribim chiribom Chiri Bernbaum Bernbaum Bernbaum Chiribim chiribom Chiri Bernbaum Bernbaum Bernbaum

Jon worked on a few movies, but he wanted something more As a VJ he could see the world, with Knife Party he’d tour.
On this anniversary we remember John Bernbaum
He made thousands happy because his videos were da Bomb

Chiribim chiribom Chiri Bernbaum Bernbaum Bernbaum

Chiribim chiribom Chiri Jonathan Bernbaum


Garret Groenveld/Barrett Clark

He liked long dark beats Pitchfork type bands Electronica adjacent But more dark

“Most of doing sound Is trouble-shooting.”

He liked to wrap the cables himself This was meditative This was his zen


Susan Jackson/Joey Casio

Don’t close the door; Don’t lose your faith; Don’t sing the sorrowest song Just light the way Don’t cry the soul; Don’t weep the heart
Just find the room in your home to be apart

We are not lost; We are not gone---
Just say the sweetest of words and we’ll return.

Don’t close the door; Don’t lose your faith, Don’t sing the sorrowest song,
We’ll find the way.


Casey Llewellyn/Micah Danemayer

Obscura Machina

Hardware centric lo-fi tendencies everything Discarded creates space

You never knew the names of who was playing Because it was everybody’s first show

Paralycyst

dungeon acid

human project

a single train of sonic thought a future ever present

caressing an audience [change us into ourselves] Love is a risk we need


Ian McDonald/Wolfgang Renner

Every end is a new beginning It’s a new beginning

And every beginning is hard It hurts and it’s hard

I see those hands, like so
And that face, like so
A crazy cool cat, they call’d him Like so like so like so

Every end is a new beginning It’s a new beginning

And every beginning is hard It hurts and it’s hard

But you got this We got this
You got this
We got this

It hurts and it’s hard
But the Crazy Cool Cat’s got this

Like so
And tomorrow it won’t be so hard


Ian McDonald/Wolfgang Renner

Every end is a new beginning It’s a new beginning

And every beginning is hard It hurts and it’s hard

I see those hands, like so
And that face, like so
A crazy cool cat, they call’d him Like so like so like so

Every end is a new beginning It’s a new beginning

And every beginning is hard It hurts and it’s hard

But you got this We got this
You got this
We got this

It hurts and it’s hard
But the Crazy Cool Cat’s got this

Like so
And tomorrow it won’t be so hard


Nick Mwaluko/Alex Vega

Our song is silence with chantly prayers of “Alex Vega” (for the allotted time)


Beth Nixon/Jennifer Kiyomi Tanouye

Jenny Jejune
Your face in the moon Obscured by the clouds
At home in a crowd
In a bend in the road
From the throat of a toad The spark of your mind
In the zest of a rind
On a dancefloor’s bright flare In the coziest chair
You’re with us tonight
We’re filled with your light Ohhh ohh ohh ohhh
Bright
Bright. Free. Bright.

Jennifer Kiyomi Tanouye

wave your
wave your keratin canvas wave your
wave your
wave your keratin canvas

[While singing this section, keep your fingers straight and hands spread out, bent at the wrist, waving back and forth in front of your body as if drying your nail polish.

Now in silence touch your ear, your eyelid, your heart.]


matthew paul olmos/Cash Askew

I feel this space,
I sing for you
I claim it queer the femme we do

Si’lence
In the mu’sic
No more si’lence I see you there
I sing for you
Be safe’er now The proud we do


Evelyn Jean Pine/Hanna Ruax

This is the dream of a silent song

This is the dream of a silent song

When I listen

It comes in strong

This is the dream of a silent song

This is the dream of a silent song

When I listen

The words are gone

This is the dream of a silent song

This is the dream of a silent song

When I listen


Nathaniel Sam Shapiro/Brandon Chase Wittenauer Chavarría

(using the chords from Voyage to a Remote Star. The melody of this song should be similar to the one that Brandon used for these chords. A note: I wrote this on guitar, but Brandon used synths, drumpads, and keyboards. Song can be found here.)

G for four counts, Dm for four, D# for four, Bb for two, Fm for two

(G) tomorrow i'm gonna (Dm) vote for myself to start a (D#) new habit huffing (Bb)

airplane glue and (Fm)silver spraypaint

(G)out of paper (Dm) bags to escape this (D#) horror, every (Bb) one of us (Fm) is a player

in this

(G) game. Remember (Dm) this. The next generation’s gonna (D#) have a lot of (Bb)

questions (Fm) for us.

(G) Part of me is dis(Dm)appointed in hu(D#)manity, the (Bb) other part is (Fm) never

getting out of

(G) bed. They're hiding our (Dm) past to control our (D#) future. I'm voting for (Bb)

America's (Fm) gravity to

(G) stop so we just float (Dm) off and into the (D#) infinite void? (Bb) (Fm)

(G) What do we (Dm) do once we’ve learned that (D#) there were monsters (Bb) under our

beds (Fm) all

(G) along?


Jonathan Spector/Michele Sylvan

she’d never make the same thing twice she’d never make the same thing twice she’d shatter the mold
and let new unfold is old

cause she’d never made the same thing twice

you’d only need to meet her once you’d only need to meet her once the stitches in your brain cross-hitched and rearranged

if you just happened to have met her once

there’s more left behind than we can count there’s more left behind than we can count start with infinity plus three
subtract the work we’ll never see

there’s still more left behind than we can count


Tenderloin Opera Company/Nick Gomez-Hall

7 to 10, he split from our lives, He was 25.
Nick Gomez-Hall

Always there to give a ride, To play the B-side.
Nick Gomez-Hall

Driving a truck to nowhere, There’s a part he would share. Nick Gomez-Hall

Considered everyone his friend, By your side til the end.
Nick Gomez-Hall

He loves playing his guitar, People listen from near and far. Nick Gomez-Hall

Bowling Tuesday night,
Beers and strikes were outta sight. Nick Gomez-Hall

He was kind to the root.
If you see Mark, give him a bag of fresh fruit. Nick Gomez-Hall


Alice Tuan/Jennifer Morris

(inspired by the positivity of Jennifer Morris) Pull up the blinds

it need not be night

Fill in our minds we all can be bright

Take out the negative we can be positive

All of us relatives
we see the cause of it

together we find unraveling the bind
a path on site
to restore good and kind

here,
the air fills
with ghazals
with song
o how positivity lives on—

together we find
in unraveling the bind a path on site
to restore humankind


Katie Ka Vang/Griffin Madden

Drop your shoulders deep like the anchor in the sea Join the waves
running in the water

How many starfishes how many whispers divine seaweed glistening with the night

No one thinks seaweed vain in his time
in his time
No one will say you're frozen for shining with the ice


Aaron Vigil/Jennifer Mendiola

I was not there to sing with you But here I am to sing
with you
for you

Kate Bergstrom/Edmond Lapine

Guitar moves shock warm Family hair your guts eclectic A gift to the people you heard felt dancing bones electric

Smooth mothers heart rock roxy reckon with the floor Edmond Lapine Pups handsome heart body electric


Jon Bernson/Amanda Kershaw

We could be together. It’s not impossible. Just tell us where, when, how. We could be a tiny sea of sweaty strobe-lit skin. Amanda Kershaw

Who have we brought together? Who have we pulled apart? Who just does what they do? Take more pleasure in the pleasure of another. Amanda Kershaw

The black hole knows: good things come to those who wait.
We have no resistance to the end. Only our music escapes. Amanda Kershaw

Get in loser! The kick and the snare and the hat. Set sails of silk. Prepare the decks. Spike the milk. Hoist the anchor. Amanda Kershaw

I left my heart in San Francisco. San Francisco left its heart in Oakland. Oakland left its heart on the open sea. Adrift. On a ship. Amanda Kershaw.

The air and sky retreat. Blood drains south to the valley. Frankenstein and the silicon tide, draining space and time. Instead, create. Amanda Kershaw

Beware of the bay. It washes away our memories. Our histories. Each time is the first time. Fade up the fader. The Pulse Generator. Keep our ghosts close. Amanda Kershaw

Four on the floor is lit, but five on the floor is better. Across the seven seas, six or more is best, so we best get down together. Amanda Kershaw

Enough courts. Enough calculations. The numbers are blind, deaf and dumb.
The world is darker. The nights are brighter. The days are fewer. Amanda Kershaw


James Celenza/Draven McGill

Beneath a cumulous cloud engorged blue sky
a mute juggler tosses brightly-painted wood blocks they elevate like gushes of silent exhalations,

each painted wood block bears weight on sheathed tendons and ligaments, the way forlorn sentences slip from line to line
teased from the innards of a fragile skull;

floating above this mutilated world they acquire mass and obduracy... can recover events forgotten... can salute Draven McGill, can accumulate the weight of forgiveness.


Connie Crawford/Travis Hough

Expressive electronic art burns bright

Even as we search for you in the night.

You are loved loved so much by so many.


Brit Frasier/Peter Wadsworth

Peter Wadsworth
Artists apperistion. Living dead. Invisible visibility. The jewel toned paint that survived power washing. Condemned to Tent cities. Illegal bonfires keep blood warm.
Peter Wadsworth. Its either sleep in your broke down Honda or on the streets. From couch to couch, to floor to door. You are a working artist who can’t afford a real roof or food to eat so you sleep, dream awake. No rest for the weary. Sweaty fingers losing grip to the hope that one day we’ll make it. Whatever that means. Told you, told you so; your dream is bigger than your pocket book. Steady setting inner fires daily to keep blood warm.
Peter Wadsworth. Better figure out how to eat your work cause your looking thin, slim. No one wants your sad painting, lopsided pottery, stained glass artistry. No one cares about your play. Your a talented actor, sure...ok. Haven’t showered in days; Unbothered caked in judgment, the dirt, sweat and stench, simply mediums for the masterpiece. One day I will make it. One day...or die trying. Or they will know me when Im gone, a ghost. Drive names the fire that keeps blood warm.
Peter Wadsworth. Then amidst the fog of uncertainty, a prayer is answered; a Ghost Ship docks the promise of a different tomorrow. With four walls and rent you can pay in installments and best of all, you are no longer alone. An artist commune. A place of refuge. Not perfect but ours... still no heat. Fires burn in doors now to keep blood warm.
Peter Wadsworth. This space was deemed unsafe years ago but this Ghost ship the only safety I know. Try to forget; The city I grew up with has cast me out into the cold. Use the hurt to mold, to shape, to paint, to create a reality where there is space for me. This is only temporary, see. This is an opening to new doors for me. Surrounded by like minds, lion hearts, eccentric electric eclectic souls who like me chose to feed the culture. We inspire each other. Collective creative fires burn to keep blood warm.
Then it happened. The night that everything changed. The night the collective creative bonfire inside ragged angry and our host Ship, Ghost Ship refuge had become a trap. No lights, save the fire just thick black night. Sirens in the distance. Running a maze, screaming, fingertips grip walls for guidance because there is no visibility. Waking up choking, smoke filled lungs. Look over at my roommate sleeping. Wake him and run. Its dark, the fire burns, bits of the roof we were so grateful for fall before us engulfed. He trips. Bleeding, I see bone through haze. Try to help him up but he’s too heavy to carry. I let go thinking the sirens are not far off. I let go thinking the city will save him. I let go thinking... we will make it. Whatever that means. Now he is gone. An artist apparition. The fires within and without put out, like us, Zombies, the living dead. The ghost ship floats up a river of fire back to hell leaving nothing but soot , ashes and bits of bone that cannot be identified. Cannot be blessed.. Stuck. Just the smell of smoke induces Ptsd memories. Every nights a ride down the rabbit hole of terrors that flash and burn, the only thing keeping blood warm. Peter Wadsworth.


Theo Goodell/Feral Pines

For Feral Pines: A Broken Ghazal

READER 1

(Breathes in and out, thinking the words Feral Pines, repeats for one minute)

READER 2

(Speaks the words Feral Pines, repeats for one minute)

READER 3

her shaking note

her waking note

her wilding note

her wily note
her wiry note
her fiery note
her furry note
her stirring note
her starry note
her falling note
her brawling note
her cat-calling note her caterwauling note her standing tall note her silver small note her spine tingling note her wing-flinging note her softening note

her lullaby note
her colorful note
her orbiting note
her linear note
her inner ear note
her synchronous note her challenging note her sheltering note
her root-and-stem note her listening note

her list-making note her chance-taking note her circling note

(speaks as many as possible until 1 minute is over – if the end of the list is reached, start again at the beginning. Just before 1 minute, goes to CODA)

CODA/Still. Listening.


Karen Macklin/Jsun McCarty

Talking to God, dust, and song of space
Jalien Adrian peers inside a sky that longs of space Listen to the wind that blows on Earth’s fraternal twin Jsun now your angel ear belongs of space


Ian McDonald/Wolfgang Renner

Born in the city of drapery, you learned to
Hang stretch flutter, to always thirst and never hunger Wolfgang, fellow artist, fellow rover, I see you now And Think: He was sixty-one and never younger.


Nick Mwaluko/Alex Vega

To you who is not here and alllllllllways with us,
Today, right now, with the purest Love and utmost Humility We honor you, powered in griefly surrender, We hold You up Your name an eternal prayer forever: Alex Vega


Suki O’Kane/Jennifer Kiyomi Tanouye

Kiyomi’s got the best kind of issues, newly-minted, saddle-stitched, popping up with pure beauty, shiny lacquers, bright specs, sonic flips. Two years on her parents sit right by me
drinking ginger lemonade in the afternoon sun.


matthew paul olmos/Cash Askew

never been, just a constant doubt, if I make a point- ed screaming shout, let the record spin, a circle round i have a voice, hear it loud, i am a voice,
let’s cash it in now


Evelyn Jean Pine/Hanna Ruax

Distill arctic bramble, pine and nettle, belladonna, rue, flax — Transmute copper, gold, and iron — forging Stone, Hanna Ruax

Breathe in ambition, exhale art — your asana. True fact: In Oakland’s heat, I see your breath, Hanna Ruax


Geetha Reddy/Billy Dixon

Before We Hit Record

A blue whale hidden behind the photo on the mantle. Abyssal sighs boom out ciphers, if you really listen
Don’t text me. I call better messengers marked with red dots Ganesh, dangling off his lotus, a few Billy Dixon


Geetha Reddy/Billy Dixon

Before We Hit Record

A blue whale hidden behind the photo on the mantle. Abyssal sighs boom out ciphers, if you really listen
Don’t text me. I call better messengers marked with red dots Ganesh, dangling off his lotus, a few Billy Dixon


Carl Sirah/David Cline
Singed blossom. Cardamom broadcast. Sumac blue leaves. Throats closed. (breath)

Duty swing time. High knees! Burmese throats closed. (breath)

Oakland. Ghost-time earlobe pennies overlearn dim sum. (breath)

David, over lips, singing crises. Whose news cries teas, throats closed?


Jonathan Spector/Michele Sylvan, known as Colette

Crafted shapes, shades and slices, a stitched unknown silhouette An offered cloth delivered greets, a finished piece without regret

Sown and sewn around us, our diminished vision meets Singular creations, from Michele Sylvan, known as Colette


Elizabeth Spreen/Michele “Colette” Sylvan

Attuned to matters of pause. She attended silences.
Her words were wild pearls and luscious plums honoring the hush—

Susurrus memory. Her smile—that tender, puckered seam. Michele—Colette—Sylvan was magic. Dancing with silence.


Melisa Tien/Denalda Nicole Renae

Gliding above the grand lake, all four limbs splayed, each reaching toward a different distant cousin of the self, all at

once a bringer, seer, dreamer, or simpler—a reverse cliché;

Synthesizing: Heart, Land, West, Coast, Bay; tawny, fiery, stranded blue, the true color of her crown is what you

remember the last time you saw her play, introducing herself as Denalda Nicole Renae.

My mother’s voice is the first sound I hear at the beginning of my life, and it is the last sound I hear at the end,

because it occurs to me that I want my life to be bookended with love.

I tell her this. Or, I tell her I’m dying. Or, I wonder if you can hear me: There’s this love. What do we do with this love? I

see you. I’m glad to be here with you, crossing time and space, Denalda Nicole Renae.


Tenderloin Opera Company/Nick Gomez-Hall

7 to 10, he split from our lives, He was 25.
Nick Gomez-Hall

Always there to give a ride, To play the B-side.
Nick Gomez-Hall

Driving a truck to nowhere, There’s a part he would share. Nick Gomez-Hall

Considered everyone his friend, By your side til the end.
Nick Gomez-Hall

He loves playing his guitar, People listen from near and far. Nick Gomez-Hall

Bowling Tuesday night,
Beers and strikes were outta sight. Nick Gomez-Hall

He was kind to the root.
If you see Mark, give him a bag of fresh fruit. Nick Gomez-Hall


Thorstenson/Jo

How to start to grasp the gaps left by by one night time.

Unclasp? Collapse? Ripple reflect in water time?

Rock, paper, and scissor me across the dance floor

Ara Jo, tonight I need your five buck trim time.


Aaron Vigil/Jennifer Mendiola

Jennifer Mendiola

That moonrise you walk with; walk toward; walk away from — here is the tether.

The ends of the tether are here; the many living ends. Here you are — here is the tether.


Ellen Zahniser/Johnny Igaz

Goldened skin light in bone brine water of salt blue Recurring dreams of warm ocean under ghost of moon

A head comes up thru skimmed ink bleeding calm Johnny, your glistening city under ghost of moon


Kate Bergstrom/Edmond Lapine

Edmond
why you play music Electric guts
The soul of pink and green Guitar string hair

Edmond
why you play music
Electric guts
Why you play music
dancing towards your friend
Respect acid house you dance intelligence

Edmond
Why you play music Electric guts Electric guts

Roxy your partner
Your friends your partner Your family your partner The music your partner

Edmond
Why I play music Electric guts
Your Generous fury Collected us in a dance

Edmond thats why I play music Edmond thats why play music Edmond then lets play music


Rick Burkhardt/Chelsea Dolan

hundred million moths take the forest up
into the cloud bank

hundred million moths lead the forest floor into the memory bank

dance forest dance
you furry animals
dance forest dance
you porcupines and voles

the banks of the water remember the banks of the water remember your feathered antennae
your pheromones

your pepper evolution
in the flickering light of the moth

the banks of the water remember the water remembers you


James Celenza/Draven McGill

These dice like entangled qubits they roll and they tumble

and I don’t know why, or what they’ll reveal when they land....

in this landscape
of desperate refugees

and endless violence
so many dreams still assemble, I guess what it is

And it is but a moment

dice like entangled qubits they roll on and they tumble

and I don’t know why, but I still want them to dance.


Connie Crawford/Travis Hough

(Soundscape)


Erik Ehn/Cash Askew

It’s not low low low low low low low low low Falling
Falling

This boat will row row row row row row row row row Slowly
Slowly

No no no no no no no no no Bow
Bow
Rainbow in the sky

Light don’t leave me now Light don’t leave me now Light
Light

Light Light


Elizabeth Gjelten/Johnny Igaz (aka Nackt)

Naked — nackt — naked — nackt Naked as the day
he was born, he lived
he was born, he lived.

Naked — nackt — naked — nackt Naked is the name
he took on to live
to make art and live.

Sleep is the cousin of death, he wrote Sleep is the cousin of death, he said They sleep, we live
They sleep, we love.

Naked — nackt — naked — nackt Naked as the day
he was born, he lived.

If sleep is the cousin of death, What are the dreams of the dead? He dreams, he lives,
In dreams, he lives.

If sleep is the cousin of death, What are the dreams of the dead?


Jess Goldschmidt/For Alex Ghassan

It was 10:26pm
You saw the lights dim and the records start to spin
saw your friends coming in
saw the night begin.
You made an art of seeing.
How people beckon to each other
how to help one or another
find their light, their line, their time or else
their way back to the water
you loved your daughters, your mother, your lover, your crew they loved you too.
I can't know that that's true
But I know you do.

It was 10:26pm
You saw the lights dim and the records start to spin saw your friends coming in.
A show, a good night, art, life, heaven.
Now it’s 10:27.


Deepali Gupta/Vanessa Plotkin

My first best friend and I
We liked the same songs
We used to listen to iconic albums On the phone together
And we made
Mixes for each other
I played
The songs I was writing
Never live – I was still too shy

I played him recordings of me singing I played him recordings of me singing I played him recordings of me singing


Min Kahng/Denalda Nicole Renae

Force of Life
Never shy
Gonna ride these waves till they fade away

Fierce and bright
Like sunlight
Gonna dance even when there’s no DJ

You never know what you’ll get when she’s standing by you But you do know she’s gonna electrify you

In her eyes Sparks will fly Force of Life


Karen Macklin/Jsun McCarty

(This song is to the tune of a song Jsun wrote called Grace’s Anti-Gravity Glance.)

In the dark

Swimming lark

In the dark

Where you go

Holding air

In your lair

There’s a tear

In the flow

There’s no weight

In your gait

There’s no weight

When you know

There is space

In your eyes

So much space

Where you go

(Spoken word.)

A song eternal has a way of circling back to grace

A space inside another is another place for space

Abandoned chorus sings the b-side of your fable

Visit in a dream when you and dream are able

Rub the underbelly; catch the final boon

December to December: throw your space around the moon

(Returning to the initial beat.)

There is space

In your eyes

So much space

Where you go

There is space

In your eyes

So much space

Where you go

There is space

In your eyes

So much space ...

Where’d you go?


Suki O’Kane/Jennifer Kiyomi Tanouye

anima amniculus relevo innovo [breath brook release renew]


Max Posner/Benjamin Runnels

Forget your alphabet Flush that cigarette Crack my clarinet
I don’t need it anymore

Forgive the byzantine
I’m your busy bee
It was always me
Missing my life by an inch

I don’t need it anymore


Lily Padilla/Em Bohlka

We can be

We can be moon healers

We can be

We can be deep feelers

We can dance

We can cry

We can cook a meal

We can touch the sky

We can be


Geetha Reddy/Billy Dixon

lyrics by Geetha Reddy
music by Geetha Reddy & Matt Brocchini

I remember them flying cats Jetpacks strapped across their backs

I can recall all the way to next fall You had your kid the one you’d call...

Billy, there you are in next year Surrounded by amps and all that beer

(CHORUS)
That empty frame Is now my window I can see the future I can see them all That empty canvas Left on the easel Has now become My crystal ball

There you are when I make noise There you are today, tomorrow

I remember the thing never made I remember the thing never said

Watch those stars, they sure fly by
I make the future with my goodbyes

(CHORUS)


Carl Sirah/David Cline

Tear the road, tell the little light. (15 seconds) Open time with my hand, oh. (15 seconds)

Swing back a kiss redwood canopies. (15 seconds) I’ll let you know, before I go. (15 seconds)

This is variation on a lined hymn, or metered hymn. In the Black Southern Baptist Tradition. It can be sung in 1 minute or 5 depending upon how its extended.

Here’s an example of one of the most common from the interwebs.
I thought this one is appropriate, because the cantor, in this context performs the role of caller and responder.
Under normal circumstances, the cantor would call, and an audience would respond. And if you google meter/metered/lined hymns. You’ll find other examples.

Here’s that same hymn with the collective (for context).

Most of the hymns follow a similar melody. What’s profound, is that the words lose their syntactic meaning, and gain a meaning among the collective. I love the simultaneity of this gaining/losing. These songs are never about precision, but rather about utterance, about what one’s sound is, and one could argue, what one’s spirit, what one’s life is, and how it meets other sounds, other spirits, other lives. That’s some of the work these hymns perform. I’m interested in how this sound/song meets other songs.


Elizabeth Spreen/Michele “Colette” Sylvan

Michele Sylvan made music and one of a kind clothing Single designs never fashioned again.
Paired with her lover—they dressed to the nines With her orange sunglasses and glamorous coat.

I stand here a stranger—honoring her gifts
her passions, her pleasures—her name
Remembered for her magic, her music, her sense of adventure, She wasn’t afraid to drink deeply from life.
Knowing that beauty lies in unrepeatable patterns
Held close to the heart.


Brian Thorstenson/Jo

This is what I’m planning for the song. Ara Jo was in a punk band and I want to do a gestural/gutteral set of notes with no words. I think I’m going to jump up as I do it?

That’s where I keep going with the song part. Partly as something in her spirit and also thinking about what that might sound like when we do all 36 songs at the same time.

Hope that’s ok and makes some sense. It’s making sense in my body so I’m trusting that.


Melisa Tien/Denalda Nicole Renae

Our Ship of Ghosts

You see that vessel
In your mind’s eye
Cutting through the sea
Of impossibility?
That’s our ship of ghosts Playing host to you and me.

Leave the shore

Come aboard

Bring your friends

All you sailors

Fellow makers

Future friends

You hear that bellow
In your mind’s ear
Cutting through the haze
Of unoriginal ways?
That’s our ship of ghosts

Trumpeting the end of days.

Leave the shore

Come aboard

Bring your friends

All you sailors

Fellow makers

Future friends

Leave the shore

Come aboard

Bring your friends

All you sailors

Fellow makers

Future friends


Ellen Zahniser/Johnny Igaz

I closed my eyes and dipped into the ocean
I am a brainless instrument, moving in slow motion Everyone was shimmering
Oh do u hear me???
Well if u can hear me
Then please be near me

For in the moonlit night I only feel devotion
I am empty and dripping and moving in slow motion Everyone was shimmering
O Do you hear me
Oh if u can hear me
Then please be near me

(this last part: melody can be improvised to repeat as much as desired, or this can be cut if too much!)

I said if u can hear me Then please be near me

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2019: Equinox